Showing posts with label Street Performing. Show all posts
Showing posts with label Street Performing. Show all posts

Sunday, August 29, 2021

Tom Frank to perform at Illusions Theater & Bar in San Diego


I'll be performing at Illusions Theater and Bar in the Gaslamp Quarter of San Diego next weekend, September 3rd & 4th!  

Here's a link for more info and tickets. Hope to see you there!  

After a year and an half hiatus from performing, I'm ready to get my freak on!  2 shows on Friday night, two shows Saturday night, 45 minute headliner stand-up sets promise my best work yet. Very excited.






 

Wednesday, November 03, 2010

In my "In Box"

I saw you at Universal Citywalk about a couple months back and was very impressed... but I felt bad because I couldn't leave you a tip. I was out of cash and all I had was credit cards in my pocket. LOL. I decided to Google "Universal Citywalk Magician" tonight out of curiosity and I came across your blog... VERY good reading. Good for you to pursue adventures that you love! Eventually I'll do the same... I love old time Hollywood and anything Los Angeles related. I'd have no problem quitting my humdrum job with a government contractor up here in Sacramento to move to L.A..... but I have absolutely no showbiz skills whatsoever.... I guess that could be a problem. LOL. Anyway, the next time I'm down at Universal (in a couple months or so) I'll give you a double tip the next time I see you to make up for my lack of a tip last time. LOL! Take care and keep the magic going!

--Matt

Tuesday, November 02, 2010

Busker du Jour


street magic, originally uploaded by J Blough.

Sunday, October 31, 2010

In my "In Box" • Stripper Cards

Hi Tom,

I got the cards at the City Walk last night.

There are regular cards, not the same one which i saw your show last night.

Please advise.

Best

Jonathan

••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••••

My response


Johnathan,

I don't think that there is any way that you got a regular deck, I sell off the top of the stack and try and give the customer the same deck that I just demonstrated with. Is your deck red or blue, the red decks tend to be a bit more pronounced. If your deck is blue it should say "Magic" right on the front of the box indicating that it is a trick/stripper deck.

Are you on Skype? Do you have a webcam. if so, I can give you some quick personal instruction and help answer any questions. My skype name is tfrank8176.

I want to make sure that you will be happy with your deck,


Feel free to call me at 323.683.5844, I'd be happy to try and help you over the phone.

Sincerely,

Tom Frank

Monday, January 18, 2010

Cellini Archive Footage

I shot this clip back in 1993 when Cellini & Marianne visited me in Cincinnati. We were all downtown, working the taste of Cincinnati. Good times, good friends, good memories.

Wednesday, November 25, 2009

The loss of a friend

I took a long walk on the beach this afternoon. Needed to clear my head. Had the headphones on listening to the Dead, Stella Blue.

“All the years combine, they melt into a dream,
A broken angel sings from a guitar.
In the end, there's just a song, comes cryin' up the night
Thru all the broken dreams and vanished years.
Stella blue”

Received the sad news that a friend of mine had died. About the time that the surf hit my knees, I realized that I was not going to mourn his death, but rather celebrate his life. I felt the same way when my mom passed. People that are dealing with deteriorating health, pain and loss of quality of life; it’s almost a relief. I hope that doesn’t sound harsh.

I prefer to think of Cellini as the guy I met when I was growing up. He was like out of a fairy tale and introduced me to the notion of personal adventure and showed me how a magician lived. It wasn’t just tricks and showmanship, technique and practice it was a crash course in life. I met him when I was 16 in New Orleans, then again when I was 18 in New York CIty; then I spent 9 months studying closely with him on a daily basis in 1984 when I was 19. That’s when our friendship became cemented. He was my mentor, teacher, friend and father figure. He had a work ethic and style all his own. “Be the first one out there in the morning, the last one to leave in the evening. . . . and never eat out.” That’s what he used to say. He was a work horse, grinding out show after show in the melting humidity of a New Orleans summer day.

I loved him, and liked to think that he loved me. He taught me so many things, like how to draw a crowd, a few people at first, then bring them in to unify them into an audience. He taught me about crowd mentality and how to use this to my advantage. So many years ago. . . a quarter century.

He will be missed and the stories he leaves behind legend. Those who knew him and called him a friend will cherish the time that he lavished on us.

His magic, his gift of time and education that he gave me. I can hardly imagine what my life would have been, had I not hooked up with him.

An orphan from New Hampshire, a door to door salesman, a Slydini student, lead singer in a rock band, street magician, teacher, world traveler, father, husband, friend. . . . he will be missed.

I feel lucky to have known such a man, to call him my friend and to call him on the phone when I wanted.

“When all the cards are down, there's nothing left to see,
There's just the pavement left and broken dreams.

In the end there's still that song comes cryin' like the wind.
Down every lonely street that's ever been
Stella blue”

Monday, September 29, 2008

Busker du Jour


Busker, originally uploaded by tfrank8176.

Tuesday, September 23, 2008

Some days. . . you just can't win

Here's the bottom line, my income has slowly but steadily been decreasing since the beginning of the year. Saturday I decided to try out Hollywood and Highland in the afternoon before working at the CityWalk that evening. All looked good, not to hot in the direct sunlight where I would be performing. Moderate traffic gelling up. I started to set my stuff up when a nearby balloon twister told me that the kiosk I was about to set up in front of, would have problem with my sound system. I thanked him and set up on the other side of him. After I set up, I was approached by a woman who was dressed like Marilyn Monroe (one of the many costumed characters on Hollywood Blvd. hustling tips for photo's with them). She started in on me with a medium nag, telling me that she was here first. Nag, nag,nag. . . I calmly explained to her that had she asked me before I set all my stuff up, there wouldn't have been an issue. Trying to be sensitive to her concerns, I told her that I didn't gather large crowds and that I did quick shows. I added, that if in 15 minutes, she had a problem with what I was doing, she could tell me and I would move. I told her that was the best I could do.

I worked for an hour an a half for meager results, a couple of deck sales and maybe ten or 15 bucks. . . ugly really, for a Saturday afternoon. Anyway, here comes Marilyn Monroe with her panties all twisted in a knot. She starts right in on me asking me angrily why I didn't leave after 15 minutes like I said I would. I tried to remind her what I HAD said, that if she had an issue with me, that she needed to communicate that to me and and I would leave. Even at that point (as I was ready to split anyway), I looked her right in the eyes and told her that she would never have a problem with me, and that if she still wanted me to leave I would. This seemed to make her more angry and she went of on some verbal rant about how she was a Christian and that she knew what I was. I thought she meant that I was Jewish. With an ugly face (clearly past her prime as a Marilyn Monroe), she rambled loudly about how I was going to hell for doing magic, bla, bla, bla). I turned on my mic and started to make fun of her. it was starting to draw a crowd. I told her that the only thing that she had in common with Marilyn Monroe, was that they were both crazy. Rather than leave at this point, I dug in my heals and worked another 40 minutes to the same mediocre results.

OK big deal, it can happen to anybody. I went home for a couple hours to chill before hitting the CityWalk. An hour into my lackluster Saturday night, I'm hassled by a couple of drunks to the point of retiring for the rest of the evening. Security dealt with the jerks promptly and professionally, but my mood was fucked!

It's hard enough to do what I do, given the economy and the ever rapidly, shrinking attention span. But to have to deal with fuck wads in my face. . . that part I can do with out.

But. . . today is another beautiful day, I have nothing in my heart but love and all I want to do is make people happy.

Getting ready to go to work now. Low (but realistic) expectations.

Thursday, September 11, 2008

Man on Wire

A few weeks ago I got a call from my friend Mickey O’Connor. I’ve known Mickey for almost a quarter century. I’ve watched him grow as a street performer, person, film maker, husband, father and friend. He was very excited to tell me about the movie that he had seen that afternoon. It was a documentary about a french street performer named Philippe Petit, wire walker, juggler and magician. It was the true story of the realizing of his desire to walk on a high wire between the Twin Towers of the World Trade Center in Manhattan.

Mickey used the word inspiring several times as he told me about the film. Of course it was just a matter of time before I caught this Sundance Film Festival Favorite. Yesterday was the day. For whatever reason I thought it to be a bit poetic to see this film on 9/11.

The movie begins before the buildings were even built. It chronicles the building of the tallest buildings in the world, with great archival film footage. The Twin Towers represent many things to many people, but for this one unique individual, he knew that they only had one real purpose, to be the stage for the greatest stunt of his life.

Can you imagine, being in New York, in 1974 looking waaaaaaayyyyyy up in the sky as seeing someone walking a tightrope between those buildings. And not just one time across! He spent 45 minutes up there making 8 passes and at one point lying down on the wire in the middle. You really have to see it to believe it.

When it was all over and he was being led away by NYC Police in handcuffs, the media all wanted to know why he did it. He smiled, looked into the faces and cameras and said, “There is no why. . . it’s just . . . beautiful”. At that moment many things about my own life came into focus. What it means to be an artist, to ditch the real world in favor of living a fantasy that is more to one’s liking. To follow your own muse to whatever end.

Beauty can be found in a flower, on a cactus, in the desert, or on the face of a smiling child or up in the sky as a man risks his life for his art, or in the heart of a street performer.

I challenge you to look for it and find it in your own life. I know I am.





On August 7th 1974, a young Frenchman called Philippe Petit stepped out on a wire suspended between New York's twin towers, then the world’s tallest buildings. After an hour dancing on the wire, with no safety net or harness, he was arrested and thrown into an underground prison. Until that moment no one but Petit and his team of accomplices, who had spent months planning their illegal 'coup' (as they referred to it amongst themselves) knew anything about it.

Born out of a dream and an idea, Petit and his team of accomplices spent eight months planning the execution of their 'coup' in the most intricate detail. Like a team of professional bank robbers planning their most ambitious heist, the tasks they faced seemed virtually insurmountable: they would have to find a way to bypass the WTC's security; to smuggle the wire and rigging equipment into the towers; to suspend the wire between the two towers; to secure the wire at the correct tension to withstand the winds and the swaying of the buildings; to rig it secretly by night – all without being caught. Not to mention the walk itself...

Directed by James Marsh (The King, Wisconsin Death Trip), Man on Wire brings Petit's extraordinary adventure to life through the testimony of all the co-conspirators who created the single, beautiful spectacle that became known as "the artistic crime of the century".

Monday, September 08, 2008

Busker du Jour


I swear this hat is empty, originally uploaded by Metius.

Saturday, August 30, 2008

Busker du Jour • Name this freak. . .


IMG_5850, originally uploaded by monayomo.

Friday, January 04, 2008

Things that can screw up a street show

I like marching bands as much as the next guy. . . just not in the middle of my show. Luckily, that didn't happen. I was notified 20 minutes before the band came through; and came through they did. . . all million of them, marching from one end of the City Walk to the other. There must have been 100 trumpeters and as many saxes, maybe 20-30 big brass tuba's. Quite a scene on on new years eve.

I haven't worked since that night. Weather and health wonky, as we host a gray and drizzly Seattle Day.

My last shows of 2007 were mediocre. I wanted to do my best work and tried to make that happen but some things are out of my hands. People were way more distracted than normal. I was happy to be done by 8:30PM. Kayma has been here with his baby and Dack is visiting as well. Our house a whirlwind of activity. Later I'll head to the City Walk, pick up the Jan. schedule and if I'm on it and it's not raining I'll work this evening. Not feeling so well. Won't bother me if I have to stay home and in bed.

Dack and Polly are at the Dali Exhibit, Kayma is getting some passport issues resolved. . . hopefully and I'm laying low, watching ER on TiVo.

Sunday, October 21, 2007

October numbers down

In October, I've had to switch things up a bit on key nights (Friday's and Saturday nights). Because of peak traffic on these nights for a Halloween event, there are no street performers allowed where I normally work on those nights. So, I've had to work 12-5PM instead of my normal 6-10PM shift. This has caused my earnings to be off this month since the City Walk doesn't really gel up until 4 or 5PM. Friday, I left the City Walk around 7PM. Feeling as though I wanted to try and pick it up a bit I went to Hollywood and Highland where I traded off shows with Daniel Davenport and a young man named Matt.

I liked hanging with the boys. There's something to be said about youthful enthusiasm. I explained to them both that the idea was to have a finite amount of time to make it happen, 10 or 15 minutes. If it wasn't happening it would go to the next guy. I thought we could have some fun and create some momentum. We all did shows, had some fun and made some money.

Click pic to enlarge.

I like what Daniel said at one point, "This is the hardest way to make an easy living." I agree. Get the crowd, keep the crowd, get the money. . . . that's what Cellini taught me, and that's what we all tried to do.

Hollywood and Highland was hopping! It's a very exciting place to be. It has a Times Square feel about it which is funny because it was all that long ago it was a crack and hooker neighborhood. Times change, Times Square and Hollywood Blvd. have booth been Disneyfied and made into respectable, clean and fun tourist destinations.

We hung out, talked magic, made some money and did our best to make people happy. it was a good night all around.

Thursday, October 18, 2007

Busker du Jour


Festival_14.jpg, originally uploaded by Colliver.

Monday, May 14, 2007

Bad Busker Behavior

Ever do something you almost immediately regret? My list is a long one so I’ll just share the most recent incident.

I was working the City Walk, Saturday afternoon. It was hot and I had been baking in the sun for a couple of hours with little return on my investment of time and energy. The hats were lousy and my audiences unresponsive. It’s been hard to get used to changing over my performance for a show to a pitch. I make a lot less in the hat after the pitch but when I sell decks it all comes together. So, I’m out there, I’ve done three pitches in a row didn’t sell any decks and the hat’s were practically non existent. I do another set with some rambunctious teenagers, we all ahd some fun and I thought it went well enough. At the end a couple of people threw in one dollar bills. One of the kids thought it would be funny to put in a penny. I stopped the kid as he was leaving, took the penny out of the hat and said, “It’s one thing to stiff me. . . but you don’t have to be a dick.” Then I chucked the penny at him, and it hit him in the eye.

He wasn’t hurt and there was no incident. But I immediately thought, I wouldn’t want anyone throwing anything in Buster’s eye. I felt bad about how I handled the situation and wish I could have apologized to him. Well there you have it. I’m ashamed that I let that little mother fucker ruffle my feathers.

The next day I went out there with something to prove. It’s not about the money. . . it’s about making good art and people happy.

nuff said.

Wednesday, March 07, 2007

Huntington Beach • Surf City. . . Dude

Steve Bradford (venue manager and street performer coordinator for the Santa Monica Third Street Promenade) gave me a call recently about a new street performing opportunity in Huntington Beach. He's coordinating street performers for a new thing they're trying on Tuesday nights. I left at 3PM thinking that I could get there by 5PM. Think again. It took me 2 and a half hours to go 60 miles. Jeez! I don't remember it being that far when I lived there 20 years ago.

I finally got there and had a good time making people happy and some cash. We actually lived in Westminster a couple of miles inland from the ocean, but Huntington Beach was the closest beach to our house. Great memories taking cigar walks in the sunset. I did that almost evening.

Two decades have vanished into the past, but here I am again in Huntington Beach performing near Main St. & PCH