Last night at the City Walk sucked. Dead, made $25 in two hours and called it a night. It was cold and lonely. I was supposed to play poker at Joey's house after work, but that petered out.
So I spent some time downloading the demo version of Final Draft (a screen writing program), and playing with that some. It's a different way to write that's for sure. Makes you think more in terms of a 3 dimensional story. Where the shot is coming from? What are the scenes, transitions and action? I thought it might be interesting to define my magic act in the same terms. Look at each trick as a scene and see how it all comes together in the end. Because. . . what's a story without an ending? Who said my act? I heard that.
Just got off the phone with Bill Goodwin, were gonna get together for a few hours this evening before I work the City Walk and he mans his post as the Castle Librarian. Bills got a great sense of where a trick is heading, I'll have to pick his brain a bit and see what he thinks of dissecting a trick from a story perspective. Not a story trick mind you (however, it could be) but, just any trick. Where does it go, is there a good ending. How did it make you feel.
At some point I'd love to take some classes that might help me in my quest. Time and money, those are the killers. Here's a class I'd like to take but it's on the weekend. I can't see blowing off the only two days that I make good money to do this. Oh well, it sounds interesting.
WRITING COMEDY with Steve Kaplan
March 2, 2007
"I wrote...my best, funniest sketches thanks, in no small part, to the lessons I learned from Steve Kaplan's comedy classes. Steve breaks the fine art of comedy down...that helps the unfunny become funny, and the funny become funnier."
David Fury, Emmy-Winning Writer/Producer for 24, Lost, Buffy the Vampire Slayer and more!
Los Angeles * March 24-25, 2007
For almost 15 years, Steve Kaplan has been the industry's most sought-after expert on comedy writing and production. In addition to having taught at UCLA, NYU, Yale and other top universities, Steve Kaplan created the HBO Workspace, the HBO New Writers Program and was co-founder and Artistic Director of Manhattan's Punch Line Theatre.
In addition to teaching his class, Kaplan has served as a consultant to such companies as Dreamworks, Disney, HBO and others.
From the industry's top stars like Jack Black, Nathan Lane, Emmy-winning writers Steve Skrovan (“Everybody Loves Raymond”) and David Fury (“24,” “Lost”), Nia Vardalos (“My Big Fat Greek Wedding”) and others, to first time comedy writers, producers, directors and performers, Kaplan has worked with and coached the best. His Writing Comedy seminar offers proven and practical methods and principles that help you understand comedy from the inside out: Why is something funny? How do you write funny? How do you make your characters funny? How do you structure a comedy story? How do you think funny so it translates from idea to page to screen?
Whether you're writing a comedy screenplay, working on sitcom script or directing a comedy, Steve Kaplan's Writing Comedy is a must for any serious professional. Find out why the top writers, producers and directors from ABC, Disney, Dreamworks, NBC, Touchstone Television and others attend his famed class.
Registration is limited to only 50 participants.
Ideal for: Screenwriters, TV writers, novelists, fiction writers, short story writers and more.